Lead Head - By Lisa Levine
Photo by Greg Petliski
“On that first route, how scared were you?”
It’s an odd question Troy asks me, at least the word “how.” I don’t know that I can define an amount of fear, although I can remember features of the climb – prockets of limestone and a fat, liebackable flake. Fun, easy terrain. I remember mental instructions to various body parts – Foot, move there! Hand, find a hold up that way! At the time I think I said zero, because the question sounded like a joke to me. Was I point seven percent scared? Point two? It’s like, who measures this stuff? It just works. Or it doesn’t. But is that actually the case? In her January 2023 talk in Tucson, professional paraclimber Mo Beck described fear as “a muscle; the more you stretch it, the more you learn how to use it.” Awareness is a foundation for developing or maximizing the fear “muscle,” especially in the complex psychological state of lead climbing. Lead head, or a climber’s ability to synchronize mental state and movement, plays a major role. Like all good slang, the term’s connotation varies, but invariably denotes some state related to the psychological aspects of lead climbing, including fear management. Let’s break down aspects of each of three types of lead head.
1. Hypers: People saturated with emotion. They feel, and they know it. 2. Hypos: People unaware of emotions. They may feel, but don’t realize it. 3. Tolerators: People influenced by emotions to a degree, sometimes measurable.[1] |
Diego Diaz taking the whip over Tucson off the upper final crux of Hebe (5.13d/14a) at Beaver Wall
Photo by Michael Russo |
Fear hyperawareness
Fear hyperawareness might look like:
I experienced a striking instance of hyperawareness at Crags with a friend who’s been climbing for a few years. Julie stopped between bolts on a curve of granite shelf, stepping up, then back down, seven or ten times, while talking about how scared she felt. “PTSD,” she said. Julie, as I interpreted from the other end of the rope, led from within a brain awash in emotion. After a very long time, she committed to the move that overwhelmed her, finished the route, and, after I lowered her to the ground, talked at length to another climber about trauma and working through its effects. She was specific and articulate, explaining every feeling she felt as it had happened. Hyper-awareness felt like a natural force in Julie. This place she inhabited, where everything had emotional tenor, drove her to ascend, and could also delay her movement. For those who lead out of an emotional awareness, hypo moments might be a power source, and like any outlet, there’s both danger and light. Although Julie worked her way through her fears, a lead head swept into emotions can bring a climber to full stop. Not up and “over it,” not down and uninterested in doing it, but simply stopped. |
Luke Bertelsen dancing up Just Do It at Punch and Judy Towers.
Photo by Lena Caton |
Melissa Russo finishing the crux sequence on Coup d'etat (5.13a/b) at The Orifice.
Photo by Michael Russo |
Fear hypoawareness
Fear hypoawareness might look like:
On a gorgeous February weekend, I’m moving up the first pitch of Ewephoria, thinking about hand jams, slippery feet, and lobe alignment. These thoughts must be fear-based, because when I enter a section where the movement is so smooth and natural that stopping to sew it up doesn’t make sense, I feel great, sort of terrified in the joyful way scary movies scare you by creating an authentic replica of fear. Feeling fearful, to me, isn’t expressed in emotion but in mechanics; I compartmentalize the emotion and instead become focused – fixated – on details. Is my hand facing the most locked-off direction? I switch it to find out. Is the foot firm against the facing rock? I might reposition it to be sure. Are the cam’s lobes as flush as possible in the crack? I release and reset it. This wasted movement is my body’s way of processing fear that my mind isn’t allowing me to feel. That’s why, back in that Las Vegas parking lot, my answer to Troy’s question was only, “I wasn’t.” I mean, I must have been scared. There was plenty to fear. So many stimuli in that space – neighborhood hikers, new partners, my preoccupation with picking my friend up from the airport a few hours later, the series of handholds and footholds asking me to focus, and the quicks demanding to be drawn back and clipped. Yet on that route, as on many routes, my mental frequency tuned to the technical things I could accomplish on the way up, and I had no answer as to the degree to which fear motivated me. It was locked away from my conscious mind. So many much-loved routes go this way for me: Chihuahua Power. Ego Donor. Marathon Man. |
Fear tolerance
Fear tolerance might look like:
While the idea of putting a number to my fear level leading a forgettable 5.8 warm-up on a chunk of limestone surrounded by luxury tract homes outside Las Vegas sounded like work, it turns out, the how scared question has a simple answer. When I ask Troy to explain it, he says that “1 is cruising down the Rillito bike path [and] 10 is pumped out of my mind 10’ above a 0.1.” Mo Beck’s muscle analogy correlates with this state: with practice, climbers can learn to be psychologically aware of fear without losing themselves in it. This idea of a scale suggests a practice tool for juggling mental space between logic and emotion with grace, and for developing a natural sense of how much space fear occupies while stippling C4 rubber to minute deformations in geologic time. Tolerators incorporate fear in their leading, and while they might feel stress or pressure, it doesn’t bother them all that much because they’re constantly adjusting and responding to maintain a psychologically balanced state of mind. |
Rachel Mendoza leading the 10a on Hitchcock Pinnacle.
Photo by Jason Howard |
About the Author:
Lisa Levine started climbing in 2013. She loves slab, Metolius thumb depressors, and belaytionships. Her fiction has appeared in Sierra Nevada Review, Manifest West, and The Furious Gazelle. Comments about psychology of lead climbing? Contact Lisa at @alluvialdispositions or [email protected] |
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